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Tuesday, October 18, 2011

One Porch, plays many parts.


Porches in My Life: A Remembrance
by Glenn Gregory


Seeing from one’s front porch is not a one-day epiphany.  There are many days and there are many front porches.  Or, as Shakespeare might comment on our current housing market, "One porch, in its time, plays many parts…"

I never really grew up with a legitimate front porch. Both homes I lived in had front entries with simple landings, small without room for a simple chair.  The first, at 7808 Greenbrier, had a three-step, elevated stoop where, in my third-grade years my father taught me to play chess. We sat there every day for a week during one summer, he must have been taking some vacation time, and he demonstrated game after game the moves, the goal, and strategies to the game.

That same summer a teenage boy living down the street convinced a high school girl to let him drive her car to the gas station and back. He promptly drove a hundred feet, lost control of the vehicle, and crashed into our house. My sister and I were watching Saturday morning cartoons when this teen, revved on James Dean, crumbled the front of the car into our home's solid-brick corner walls. We ran from the TV to our parents’ bedroom, stood on chairs to look out a window only to see this kid’s face splash-painted with his own blood with all his front teeth - top and bottom - knocked out or pointing down his throat. Fear and numbness gave over to pain as he cried out for help.  Several neighbors were striding into their front yards and the street to comprehend what had just happened before their eyes in a matter of only seconds. My sister and I watched the neighbors give first rescue, the ambulance arrive and depart with the boy, the car towed away with the girl now free to shed tears over her set of wheels that would no longer take her to Frisch’s’ Big Boy Drive-In on Friday nights. My dad made sure my sister and I watched the whole event.

The second front porch, at 7440 North Timberlane, was even less, merely a concrete block positioned between bushes and hedges, one step up to the front door. No roof afforded protection from the seasonal conditions of nature. One summer afternoon while in high school, I was watching from that place for my girlfriend and her parents to drive over, as we were going to a Cincinnati Reds ballgame. Instead, two police cars slowly drove up the driveway. Five minutes later, my girlfriend and her parents arrived and we all sat at our kitchen table as the officers questioned me about my involvement in a fencing operation that was breaking open, and its members would be known as the Madeira Six. I was innocent. Burglary was the crime.

My parents were sitting there too, of course. The questioning was lengthy; we were now certain to miss the first inning. I was innocent of burglary, and innocent of any knowledge about stolen goods stored at The Hut, a shack of plywood and tar-paper, the clubhouse I built with my buddies deep in my parents’ backyard.  When my mother had witnessed enough, she declared my innocence as the truth and that the questioning was now over. After the police left, my father ordered that The Hut was to be demolished the very next day. We eventually took our seats during the second inning, my girlfriend wanting to change the subject, and her parents snickering about my predicament. That very next day, the original builders assembled, then razed The Hut, ripping every remnant out of the ground, to the cheers of several backyard neighbors.



My family has always been back porch people. At our first house, my father had an extensive back porch added, one with a shingled roof, low brick walls for the perimeter, and tall screened windows which he removed each winter. At the second house, he added a pool, patio, and garage. I imagine there’s a difference between front porch and back porch people. 


I still do not have much of a front porch. Its elevated, cement block steps down from the second floor front door to the ground level gardens and driveway. There’s hardly enough space to set up one fold-out chair. However, to sit at the top step this day in October, I can see the start of autumn on the leaves of my fruit trees, the garden of pumpkins, raspberries, rhubarb, zucchini, and strawberries, the street which gives the south boundary to my property, the irrigation ditch beyond the street, then the highway, and in the grey distance houses and farms that stretch a few miles to the next rise which gives a northern bank to the South Platte River. I have a good view of swirling thunderclouds that race down the front range across the plains.  And that is also the problem: the view is great, but it's still a one-person porch.

The front porch of my childhood was that of my grandparents who lived in Passaic, New Jersey. Their house, built at the turn of the 19th century, was not originally fitted for electricity, but due to the thin, hollow walls of plaster, wires and outlets were easily installed, installed in whole neighborhoods as electricity transformed daily city life.

I knew my grandparents’ house as a narrow, two-story home a half-block off the main street of Passaic, where trains moved freight and trolleys moved people. Actually, they lived in the house next door for much of their adult lives but moved to this house when Bill died, the husband to my grandmother’s sister. Below is my grandparents’ house in Passaic, New Jersey.  Actually, they rented the second floor. The house directly to left has the porch where Brenda and I played competitive Chinese checkers.

John, my grandfather, was an Army combat veteran of World War I, and now he looked to a quiet life, working in a machine shop and raising his two sons with his wife, Elsie.   Prohibition was the law of the land, but not universally enforced by local police or federal agents. He made elderberry brandy in his basement and drank it while sitting on his front porch. His parents were immigrants from Italy, and by 1930 John thought he had made it in America: he owned a home, had a job, and was married with a family. As America moved squarely into the 20th century, it became a land of new families, immigrant families. The old American families exhausted their cultural influence fighting the Civil War and governing Reconstruction, making hallowed the War of Manifest Destiny, and mistaking the Gilded Age as the fulfillment of American Independence.  

Immigrants today, legal and illegal, try to establish themselves in our federal government entitlement programs - the most generous and effective in the world.  What drove the immigrants’ desires during the turn of the 19th century to leave all and risk all for a new chance at life in a new land, America? Of all places, America? The Civil War generation was aged and exiting. Buffalo Bill’s Wild West Show was over. A young generation was ready to shoulder the crucible of the Industrial Revolution come to America. Teddy Roosevelt directed America into its first global presence.  “The War To End All Wars” had come and gone. The Roaring 20s were opening wide their mouths of splendor and betrayal.





The main street of Passaic, one block from my grandparents’ house, fed into New York City, a route followed every day by thousands of European immigrants and northern African-Americans to the factories and breweries of the city. New York City was the wettest city in America during the span of Prohibition. Booze was everywhere and sold as bootleg. My father tells stories of his mother and seven sisters sneaking shots of alcohol at Sunday gatherings, but that was after the repeal of Prohibition.   There’s a photo of them and the two brothers all sitting at card tables on the backyard patio. Eight American women hoping that Prohibition would reform the American working man so he would put his family as his priority, not the saloon. 

This was the third front porch that was meaningful to me in my youth. It seemed spacious to me. The tall windows of metal screen towered above me. White cloth curtains were gathered and tied, giving connection from the porch to the goings-on of street life. Untied side curtains jostled in the morning breezes.  

One morning, my grandma had set up a card table with two chairs and placed a game board of Chinese checkers at the center of the table. Across from me sat Brenda, a wide-smiling girl seven years of age, and whose family live two houses down. My grandma then had me sit down, and she proceeded to explain to us the rules of Chinese checkers. We asked a couple of questions, and then played this board game for the next two hours. Constructing longer and longer ladders of stepping stones gave us amazement and wonderful funny bone laughter. We were evenly matched, and soon I went inside to fetch paper and pencil to track victories. It was all too much fun. We were vacationing with my dad’s parents for the week, and the week had just started.  

The checker board was made of tin, its shape flat and round. A bump would send marble rolling in random directions, ending that game outright. The out-of-bounds on the board’s surface was painted black with a dragon outlined in yellow along one side. Each color of marbles had its own corresponding triangle of home base. The in-bounds of the board was painted a classic white and was criss-crossed with thin red lines.

Brenda’s black fingers studied and vaguely pointed out optional moves. Her black hands moved marbles across the white game board.  Once, I saw her observe my white thumb and finger as I rested them on the black perimeter of the Chinese checker board. When Brenda won, or enjoyed a long- stepping move that she in mere seconds realized was possible, she smiled a joy-of-fun face, let go a laugh that giggled into another loud laugh, and her ribs seemed to be tickled by invisible fingers. She was beautiful. I looked into her brown eyes all that week. I could not enjoy her enough. Inside that front porch of screened windows, slow-billowing white curtains, I remember Brenda and the games of Chinese checkers we played. The purity of two children at games: beyond race, beyond gender, beyond the street where she and my grandparents lived.  

I don’t know how many pure moments a person has in a lifetime. And, I guess that most of these pure moments usher us through childhood and into society where we layer newer events that weigh out the pure moments of our innocence from our working day meditations. I have remembered a few, and I feel humbled when recalling such a memory, for I understand more each remembrance. The front porch, on a street in a city of mixed immigrants and transplanted Southern blacks. The year was 1962.  What a tumultuous decade lay ahead and outside of everyone’s front porch.


Tuesday, October 4, 2011


 Eve turns
(October Sky)


Porch rail repose.


With this love.

Long wide sustained chords, an obo pensive, breathing across it.

Stepping down, the chord moves and beckons the deep mournful bass to walk along, the obo seems to move across stepping stones, stretching, holding balance amidst an infinite abyss of soundless tumbling notes.

Moving across a purple delta of stones, breathless chords dome all points of the compass. 
Vibrating sturdy fibers weaving fine light, with the lower resonance effortless, patiently, holding the journey space.

On towards the center, walking the sacred spiral of a labyrinth.
The obo finds the center, the rose in an arc, which merges with all this.
Sojourn heart centered; the blossoming angelic scene unfolds in unimaginable magnitude and takes flight, sonic becoming sight.

Color moves out, all consumed.
Unknown, enveloped, dark, it is done.

Wonder glides through this simple porch. Satisfied. With this love.



Saturday, September 24, 2011

sneakin up on Boo Radley's porch

This being the first weekend of Fall, the rain rolled in on que and started to bring down a few spent, crisp and yellow champions of our summer. The departure from summer always posses a day or two that remind me of Harper Lee's wonderful telling, with leaves sailing for the lawn, tumbling across the porch.


One time, Atticus said; “You really never knew a man
 until you stood in his shoes and walked around in them.”
…Just standing on the Radley porch was enough.




Harper Lee’s “To Kill A Mockingbird”
The last scene of the movie:
Fall, leaf-strewn night.
Tracking crane shot; ‘birds-eye’ following Scout walk Boo home & her return.
Cut to pan along windows of the Finch porch.
Fade to black.

Scout’s V.O. Narrative:

         “Neighbors bring food with death.
           And flowers with sickness, and little things in between.

           Boo was our neighbor.
           He gave us two soap dolls, a broken watch’n chain, a knife,
           and our lives.

One time, Atticus said; “You really never knew a man until you stood in his shoes and walked around in them.”
…Just standing on the Radley porch was enough.

The summer that had begun so long ago had ended.
And another summer had taken its place.
And a fall.

And Boo Radley had come out.

I was to think of these days many times:
            of Jem, and Dill, and Boo Radley, and Tom Robinson

and Atticus
            he would be in Jem’s room all night.
                    And he would be there when Jem waked up in the morning.”



Sunday, September 18, 2011

Second Hand Wisdom


Second Hand Lions
Writer /Director Tim McCanlies

Speech from Hub (Robert Duvall)  to Walter  (Haley Joel Osment):

Haley Joel Osment, Michael Caine, Robert Duvall.
Second Hand Lions, 2003.

Hub; “Sometimes the things that may or may not be true
are the things a man needs to believe in the most:
That people are basically good;
that honor, courage, and virtue mean everything;
that power & money,
money and power mean nothing.
        
That good always triumphs over evil:
and I want you to remember this, that love– truelove never dies.

You remember that boy. You remember that.         

Doesn’t matter if it’s true or not.

You see, a man should believe in those things,
because those are the things worth believing in.”


Thursday, September 15, 2011

Jewel's Box Fan


Sounds of Summer.

hello Grandma.



I recently heard a few essays about summer sounds, so, as my neighbors mowed their lawns and power washed their decks and employed every noisy tool imaginable to beautify their weekend, I drifted, with the aide of a breeze whispering in the maple leaves, to a cherished memory, a cornerstone of my past, the sound of a big box fan on my Grandmother’s porch, down in St. Pete Beach.

You could sit on this fan. 
It had three speeds, plenty of torque, and it was fun to talk thru on the laziest of days. It seemed to funnel all the sounds of summertime into Jewel Gilbert’s tiny cottage.

The summers in St. Pete are still as hot and humid as ever. And, as anywhere down south in 1963, the only air conditioning was found inside dairy cases at the grocery store, or heaven forbid, spilling out of the fridge. Everyone had fans plugged in. Grandma’s fan worked day and night, on the porch, in the hall, near the kitchen, maybe 20 hours or so, resting only after my brother Bob and I woke up and Grandma shut it off for a few cool, noiseless hours.

The motor’s all-night drone tugged in soft humid air and a curious sonic landscape; the occasional gust rattling stiff palm fronds. Pampas grass scratching, swaying to mysterious swirls of air. Window screens clacking, inhaling and exhaling conflicted air that flutters and slaps. 

Challenged by a midnight back-breeze before a quick tropical shower, the Emerson motor moans. Two minutes of cool rain steams everything and fills the house with the smell of musty asphalt and sweet grass. Then dawn’s subtle Dove is cooing us out of dreamtime. Skinks scurry up the coconut. The fan gathers a gull’s laughing, escalating Tarzan call, informing all to good trashcan pickings behind the garbage truck working Gulf Boulevard.

But it was usually the lazy caw of a few crows perched in the sea pines and the distant sound of a tin-clinking exhaust plate, flapping on top of the old ford tractor raking the beach, that got my brother and I up and out of our pj’s. That was the benchmark sound sucked into our bedroom by that fan. It was our daily call to action; pull on stiff, salty, swim trunks from the clothesline and run to the Gulf to see what the low tide had uncovered.

Cool, fine sand between the toes is still a better wake-up than the smell of coffee today, and I’m a coffee snob. So dashing down 44th Ave to the Gulf of Mexico where a sugar white beach and scurrying crabs await our tiny feet was total bliss greeting each and every day. We’d race down the boardwalk lined by sea oats, “First gear, it’s all right. Second gear, Lean right.” Our jets cool as soon as we land in the sand. “Yeah Baby!”

Like commandos behind enemy lines, we’d scan for the tractor’s whereabouts, and look for anything unusual, like a battleship, battling Godzilla on the horizon, and then we'd bound for the water. Slow, deliberate emergence. Toes and then ankles, the morning’s quest began by walking the sandy ridges in the clear shallow tide pools, sneaking closer to schools of killifish and frantic, probing, sand pipers. The tide creeping in with short rolling laps, mini curls uncovering coquinas and darters. The yawning gulf stretched and muffled the drone of the clinky tractor with short slaps of saltwater, up and down the beach. 
It was living surround-sound stereo.

And as we’d venture like Jacque Cousteau, bellybutton deep, a few arching dolphins, friends of Flipper maybe, meander south from St. Johns Pass. Then pelicans gliding inches from the surface cruise northward from the Pass-A-Grill inlet, stealing all attention. Hundreds of tiny silversides ripple the surface and jump, fleeing the formation of bomber-sized birds. And then the abrupt, headfirst dives; rapid succession of exploding splashes; ka-blish, ka-blash, kaa-blooosh. Drastic as the pelican’s dive is, the all-out power-flapping paddle-pushing employed by these flying boats to get airborne and resume their patrol is mesmerizing. And off they go, climbing and descending, weaving and peeling and power gliding, wingtips on water’s edge, chasing eddies and sub-surface schools of shifty silversides, looking for the bigger meal below.

The soft, still water and sea hunt kept us focused until the sun shortened our shadows and bellies grumbled for breakfast. So, bright-eyed, alert, and back to Grandma's for the best bacon, eggs, and biscuits any kid could ever imagine.

“Wash your feeties, sweeties,” hails from the aluminum recliner inside the screened porch.

The hot rubbery hose is turned on.
It flows onto searing concrete pavers until it is cold enough to rinse off the salty, crusty residue from tootsie toes. We obey Grandma Jewel’s prime directive; keep as much sand outside her home as possible. And having done so, clean feet greet cool porch and march to the bathroom to wash up before eating.

Dodging past her trusty box fan, steadfast in station, it is again humming its daylong song. And awaiting its lunchtime employment from little cousin Donnie, who’ll broadcast through its whirlwind politely, petitioning the kitchen, “Grandma, May I have another ham, mustard, mayonnaise and sweetpickle sandwich, please?"



And so too is my box fan, steadfast at the foot of the hammock, humming on the back porch. Soon it will be politely employed to broadcast a request to my wife.
Her response is usually a laugh, and, "While you're at it, get me a beer too!"




frailin' fool.

a lousy banjo player, in the shadow of Kennesaw Mt.

How do the Angels get to sleep 

when the Devil leaves his porch light on? 

Mr. Seagal  from Tom Waits album  “HEARTATTACK AND VINE”




Fine Place For A Sarsaparilla



Excerpt from Stuart Little
 by E.B. White


“In this loveliest of all towns
Stuart stopped to get a drink of sarsaparilla.

Parking his car in front of the general store, 
he stepped out and the sun felt so good 
that he sat down on the porch for a few moments to enjoy the feeling of being in nice place on a fine day… it seemed to him a place
he would gladly spend the rest of his life in, 
if it weren’t that he might get homesick for the sights of New York, 
and for his family.

After a while the storekeeper came out to smoke a cigarette, 
and he joined Stuart on the front steps.

He started to offer Stuart a cigarette 
but when he noticed how small he was he changed his mind.” 



Wednesday, September 7, 2011

Sit. Listen. Breath.

Porches are such a valuable, versatile contributor to everyday life.
They let people be and bring people together.
They bid folks farewell, and they welcome them home.

Porches give people time; time to share,
time to reflect and time to just sit.
Next to the kitchen, the porch is what most people remember
as ‘Home’.

Neighbor to neighbor, street-to-street, city-to-city,
this transitional structure gives foundation and witness
to our stories, our connections; the ties between our daily lives
and our personal journeys.

Famous Uncle Freddie, Steve, and Oh Dave.   1995, Atlanta, Georgia.





A View From The Porch is about the common threads 
that weave through us all.
 (And sometimes rumble along the street, in the back of the bus.)